Now the note will trigger within a range of velocities instead of one static value. Do this by going into the Velocity window and holding down the Command button while dragging vertically. It’s also now possible to introduce a range of velocities for each note. Dragging vertically down reduces the chance of that note being played. These two features are going to be amongst the most talked about improvements of Live 11 and for good reason - both add a quick way to add the inherent subtle randomisation of probability into static MIDI programming, easing the burden on the producer to create tracks with pre-programmed variations and fills.Īdding probability is as easy as opening the Probability editor and then selecting which notes you’d like to edit. Live 11 takes a huge step forward with its new MIDI probability and velocity probability features, bringing Elektron-like functionality to the Ableton world. New contentĪmongst the multitude of workflow upgrades, Ableton have also included several new Instrument additions, including a few orchestral instruments from Spitfire Audio that sound impressively realistic, as well as a wealth of new Packs content. Now, any editing done to one of the tracks will be carried out on all of the tracks you’ve linked. While in Arrangement view, simply highlight several tracks at once and right-click, then select Link Tracks. Linked Track editingĪbleton Live 11 finally introduces another feature that will streamline the workflow of those who work with groups of phased-lock tracks, including multi-miked drum kits or multitudes of vocal takes – Linked Track editing. This opens up the doors to jamming with Live using an audio source such as a real drum kit as a time-keeper. While this was previously available as a third-party Max for Live plugin, Ableton Live 11 introduces the ability to Follow Tempo from an external audio source. Follow Tempo from an external audio source Any scale information chosen is now automatically visualised on the Push, strengthening the connection between the bespoke controller and Live 11.Īnd there's more. When editing MIDI information in the MIDI note editor window, Ableton has now made it possible to Fold the notes shown based on scale, so notes not in the scale will not be shown. The user can choose both the scale and the root note. Scale mode can be enabled or disabled on a per-clip basis, though when Scale mode is turned on, all subsequently created clips will start with the same scale settings as clips already created on that track. One of the most essential improvements to Live 11 for many producers is going to be the new MIDI scale functionality. It now shows both the average and current amount of CPU being used, and clicking on the meter gives a shortcut to the Audio Preferences panel. Similarly, the CPU meter that you’re used to in Live’s top-right corner has been improved. Located at the bottom of each track (including busses and the master) in Session View, these small horizontal meters mean that you can see exactly which track and plugin chain is causing your computer to freeze up. Sometimes, it’s the small things that really make a difference and one such game-changer for many is going to be the introduction of CPU meters on individual tracks in Live 11. Grooves can now be viewed in the main browser window, and they are now all grouped together as opposed to by source, which helps in finding the appropriate groove for your track. Live 11 has added the option to ‘Save Live Set as Template’ straight to the File menu as well (it was previously buried in the Preferences panel).
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